The 2009 Philatelic Yearbook not only integrates the beautiful Chinese culture, but also integrates the most advanced stamp production technology and represents the future development direction of the high-tech stamp printing market.
Play the ultimate micro technology
With the help of the highest level of engraving and printing technology in the world today, we have successfully implemented one edition of ticket and one book of creative equipment consumables. For example, in the "300 Poems of the Tang Dynasty" stamp, more than 25,000 characters of the "300 poems of Tang poetry" that are widely circulated are all engraved in a version of the stamp. The information volume of the stamp has reached an unprecedented level of printing technology. And after careful and detailed column layout, the full-page stamp became a truly readable book printing market. The stamp has always been known as a pocket encyclopedia. This time through the "300 Poems of the Tang Dynasty" stamp, this feature is vividly displayed in front of equipment collectors for stamp collectors and readers who love Tang poetry. Because all the poems are printed in engravings, each word can be touched like a tablet. On the one hand, it makes people feel the immortality of Tang poetry. On the other hand, it can also cause people to be born in the birthplace of printing today. Exquisite printing works proud of the printing market.
Stamps enter the digital age
Utilizing the latest digital technology achievements, the company has taken the lead in introducing the world's first multimedia stamp, further expanding the product concept of the above-mentioned stamp book to enable it not only to read, but also to listen. The source of the book uses the latest readings of Chinese contemporary literature. The performance reading artists' version of the soundtrack is full of emotion, poetic, and touching. It brings endless hearing and enjoyment of goods and materials.
High-tech stamps new clothes
2009 Philatelic Yearbook has adopted a large number of new materials and new process combinations, and has made new breakthrough printing tools in the pursuit of the perfect combination of stamp content and form. Still taking the "300 Poems of the Tang Dynasty" as an example, the background of the stamps was specially silk-screened with gold-plated magic pearl inks, which have different effects of transparency or gold brilliance at different angles. The poems for the Tang Dynasty are both simple and profound. The beautiful and gorgeous, gorgeous overall style played an important role in printing tools. In addition, luminous inks are used to represent the bright moon, and sandalwood inks can give people a more direct impression of the ancient printing alliance of the stamps.
The arrangements for the design of the stamp printing process in the 2009 philatelic yearbook completely broke the conventional wisdom. The complexity of the stamp printing process was rare in Chinese and foreign stamp printing, making it a set of creative and truly refreshing stamps in Central China.
The first set of multimedia stamps "Three hundred Tang poems"
Classics are never out of date, it is always reproduced in generations of inheritance, and in the creative acceptance of new printing tools. In 2009, the latest philatelic yearbook, in addition to commemorating the 60th anniversary of the founding of the PRC's Daqing stamps, was the first set of multimedia stamps “Three hundred Tang poems†in central China. The "300 poems of Tang poetry" set out from the perspective of the world, highlighting the inheritance of poetry culture, demonstrating the charm and passion of Tang poetry, grasping the prosperity of the Tang culture, and mapping the great rejuvenation and printing alliance of the Chinese nation.
The "300 Poems of the Tang Dynasty" stamp adopts a concise, condensed design language, which reflects a version of the ticket, a book concept, and combines contemporary advanced printing techniques to achieve "visual, touchable, audible, audible" Art effect printing tools. The six stamps selected six representative styles of Tang poetry. The contents of the book cover not only the works of everyone expressing the flourishing atmosphere of Tang Dynasty, but also the printing of the masterpieces of different styles.
The stamp sheet features a vertical composition, with the Chinese traditional painting snow frame Hanlin axis as a trim. The centerpiece of the Zhangzhang is six stamps. The six poems are Xiajiangling, Wangyue and Minhang. , Dengque House Printing Tools. The upper part is the miniature text printing alliance of 313 poems of "300 Poems of the Tang Dynasty".
The first "Under Jiangling", author Li Bai, seven-word quatrain printing alliance.
The typeface used on the postage stamp screen is cursive script, using the calligraphy technique of the Tang Dynasty calligrapher Huai Su. The screen is based on ancient prints and represents the artistic conception of poetry. In the distance is a stack of mountains and mists. The neighborhood is a tree house, and a boat in the middle of the river flows down the river. Printing tools. The visual center of the screen is the cursive writing of the cursive script, smooth movement, cursive romance and wild, free temperament and Li Bai's character and Li Bai's poem coincides with printing tools.
The second piece of "Wangyue", the author Du Fu, Wu Yan poetry equipment supplies.
The typeface used on the postage stamp screen is a regular script. The picture shows the highlight of the "Wangyue" poem in the background overlooking the distant mountains: when it will be top of the hill and the mountains are small, the mountains in the picture are no longer the image of the stalwart, but the view from the top. , as if it were really standing on the top of Mount Tai overlooking the small general printing market. The visual center of the screen is the poetry presented by Yan Zhenqing's calligraphy. The temperament of calligraphy and the delicate character of Du Fu are exactly coincident with central printing.
The third piece of "Chang Xing" was written by Bai Juyi, a seven-word printing tool for ancient poetry.
The typeface used on the postage stamp screen is a regular script. The image of the prostitute was taken from the middle section of the Minhang line made by the Ming Dynasty. The picture is a cluster of reeds in the distance. The center of the picture is a slanted shape. The outline of the combination of the actual and the actual is the miniature text of the “Mute Line†poem and the faintly drawn prostitute holding the shit. Sadness shows the mood in poetry, and Bai Juyi's mood in Central China at that time. The picture is full and full of print alliances.
The fourth "Untitled" by author Li Shangyin, seven-character poem equipment supplies.
The screen is a scrolled version of the ancient book. The content is the famous Zhang Wei's "300 Poems of the Tang Poems" engraving printing market. The picture did not directly place the ancient version of the book on a stamp, but it was designed in a certain way. It was vivid and unified with other stamps in central China.
The fifth piece "Moonmoon Huaiyuan" is written by Zhang Jiuling, a five-word poem in Central China.
The font used on the stamp screen is a rhyme, and Wang Xizhi's calligraphy works are used to print the alliance. The picture is based on the ancient prints of the rising moon and water. It shows the long life of the bright moon at sea, and the poems and writings written on the screen are the consumables in the center of the screen. Let people read poetry while experiencing the more artistic equipment and supplies hidden in the painting.
The sixth piece of "Tengkai quelou" was authored by Wang Zhiyu, a five-word quatrain item market.
The font used on the stamp screen is a librarian, and the Shichen monument is used to print the alliance. The ancient print 鹳 楼 House was printed on the printing tool of "Powder House." The picture is based on the 鹳 楼 楼 House and the cloud and fog. It is in harmony with the desire for a thousand miles in the poem, and it goes further to the middle of China. Although the picture itself is concise, there are thousands of artistic conceptions outside the poem, leaving the space for people to imagine the printing alliance. The official script in Shi Chen’s stele is neat and straightforward and the atmosphere is printed.
The painting of the entity, the flowing wind of Tang dynasty decorate, the local 300 pieces of Tang poems in the stamps, and the 300 poems of the Tang poems in the edging, the quaint hue, these elements are finely fragmented, and they are unified by a style of line-bound books. . It not only displays the esoteric mood of Tang poetry, but also embodies the core concepts of the 300 poems of Tang poetry: a set of stamps, two great events, a stamp, and a printing market for books and records.
Dressing table, also called toilet table, a table used for the toilet. The term originally was applied in the 17th century to small tables with two or three drawers. It soon became common practice to conceal the fittings of the dressing table when they were not in use, and great ingenuity was exercised by 18th-century cabinetmakers to combine elaborate fittings with a handsome piece of furniture.
In the Cabinet-Makers` London Book of Prices (1788), Thomas Shearer included a design for a dressing stand [with folding tops. The top and bottom fronts are shams, in the back part of the stand is a cistern which receives water from the bason drawer . . . ." The inside included [A glass hung to a sliding piece, 3 powder boxes, a lift-out to hold 4 razors, hone and oil bottle, a ditto for combs, and partion`d off for tooth brushes, a shallow ditto for tweezers, knives etc. . . . ."
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